{"id":442,"date":"2012-02-25T15:38:25","date_gmt":"2012-02-25T15:38:25","guid":{"rendered":"http:\/\/kabinet505.ftn.uns.ac.rs\/?p=442"},"modified":"2020-01-25T16:08:11","modified_gmt":"2020-01-25T16:08:11","slug":"deo-enterijera-zgrade-narodnog-pozorista-u-subotici","status":"publish","type":"post","link":"http:\/\/kabinet505.ftn.uns.ac.rs\/?p=442","title":{"rendered":"Deo enterijera zgrade Narodnog pozori\u0161ta u Subotici"},"content":{"rendered":"<div id=\"pl-442\"  class=\"panel-layout\" ><div id=\"pg-442-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-442-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-442-0-0-0\" class=\"so-panel widget widget_text panel-first-child\" data-index=\"0\" >\t\t\t<div class=\"textwidget\"><p>Re\u0161enje dela enterijera Narodnog pozori\u0161ta u Subotici obuhvata \u010detiri prostorne celine: prostor pozori\u0161nog kluba, probne salu, restorana i kafe poslasti\u010darnicu. Osnovni zajedni\u010dki pristup u re\u0161avanju svih prostornih celina bazira se na potrebi za stvaranjem fleksibilnog prostora kao i stvaranju razli\u010ditih atmosfera unutar svakog prostora. Pretpostavljeni osnovni scenariji transformacije prostora obuhvataju i nagla\u0161avanje postoje\u0107ih inspirativnih elemenata u prostoru. Razrada svake celine je delo razli\u010ditih autora.<\/p>\n<p>Autori<\/p>\n<\/div>\n\t\t<\/div><div id=\"panel-442-0-0-1\" class=\"so-panel widget widget_media_image\" data-index=\"1\" ><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"452\" src=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1.jpg\" class=\"image wp-image-443  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1.jpg 603w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1-300x225.jpg 300w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1-150x112.jpg 150w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1-420x315.jpg 420w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/div><div id=\"panel-442-0-0-2\" class=\"so-panel widget widget_media_image\" data-index=\"2\" ><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"450\" src=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_4.jpg\" class=\"image wp-image-446  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_4.jpg 600w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_4-300x225.jpg 300w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_4-150x113.jpg 150w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_4-420x315.jpg 420w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/div><div id=\"panel-442-0-0-3\" class=\"so-panel widget widget_media_image\" data-index=\"3\" ><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"452\" src=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_3.jpg\" class=\"image wp-image-445  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_3.jpg 603w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_3-300x225.jpg 300w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_3-150x112.jpg 150w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_3-420x315.jpg 420w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/div><div id=\"panel-442-0-0-4\" class=\"so-panel widget widget_media_image panel-last-child\" data-index=\"4\" ><img loading=\"lazy\" decoding=\"async\" width=\"603\" height=\"452\" src=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1.jpg\" class=\"image wp-image-443  attachment-full size-full\" alt=\"\" style=\"max-width: 100%; height: auto;\" srcset=\"http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1.jpg 603w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1-300x225.jpg 300w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1-150x112.jpg 150w, http:\/\/kabinet505.ftn.uns.ac.rs\/wp-content\/uploads\/2020\/01\/subotica_pozoriste_e_1-420x315.jpg 420w\" sizes=\"auto, (max-width: 603px) 100vw, 603px\" \/><\/div><\/div><div id=\"pgc-442-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-442-0-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"5\" >\t\t\t<div class=\"textwidget\"><p><strong>Building \/ Objekat:<\/strong> National Theatre in Subotica \/ Narodno pozori\u0161te u Subotici<\/p>\n<p><strong>Location \/ Lokacija<\/strong>: Subotica<\/p>\n<p><strong>Designed \/ Projektovano<\/strong>: 2011.<\/p>\n<p><strong>Team of authors \/ Autorski tim:<\/strong><\/p>\n<p>Atanackovi\u0107 Jeli\u010di\u0107 Jelena<br \/>\nKoji\u0107 Radomir<br \/>\nMara\u0161 Igor<br \/>\nMi\u0161keljin Ivana<br \/>\nTodorov Marko<br \/>\nVladimir Kubet<br \/>\nVladan Vari\u0107ak<\/p>\n<p>&nbsp;<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Re\u0161enje dela enterijera Narodnog pozori\u0161ta u Subotici obuhvata \u010detiri prostorne celine: prostor pozori\u0161nog kluba, probne salu, restorana i kafe poslasti\u010darnicu. Osnovni zajedni\u010dki pristup u re\u0161avanju svih prostornih celina bazira se na potrebi za stvaranjem fleksibilnog prostora kao i stvaranju razli\u010ditih atmosfera unutar svakog prostora. Pretpostavljeni osnovni scenariji transformacije prostora obuhvataju<\/p>\n","protected":false},"author":1,"featured_media":444,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[6],"tags":[],"class_list":["post-442","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projekti"],"_links":{"self":[{"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/posts\/442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=442"}],"version-history":[{"count":10,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/posts\/442\/revisions"}],"predecessor-version":[{"id":471,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/posts\/442\/revisions\/471"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=\/wp\/v2\/media\/444"}],"wp:attachment":[{"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=442"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/kabinet505.ftn.uns.ac.rs\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}